Diaries

A Young Teacher Speaks of Cuba’s Oldest Art Academy

On the occasion of another anniversary of Cuba’s San Alejandro Arts Academy – celebrated recently – we conversed with Aluan Arguelles, one of the institution’s youngest teachers, to get to know how this, Latin America’s oldest school of its type, operates internally.

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A Journey to My Roots

Recently, I paid a three-day visit to my hometown, Santo Domingo, in the province of Villa Clara, to see relatives and old friends. The trip also made me remember incidents and situations that would begin to mark me since I was small.

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The Human Thing

La cosa humana (“The Human Thing”), a film by Gerardo Chijona, has just been released in Havana’s theaters. This comedy seeks to pay tribute to such mafia films as Coppola’s The Godfather and the US television series The Sopranos, where violence is the best means people find to solve conflicts.

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My Take on Migratory Crises

While thousands of Cubans cross third countries to reach the United States and thousands others emigrate legally or use work-related trips afforded by the government to “desert,” the island’s official media cover the migratory crisis affecting countries in the Middle East and Europe.

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Pastorita Nuñez’ Resting Place in Havana

The passengers, most of them adults, were looking out the bus windows at the primary school students in uniforms making their way to the roundabout leading to the Camilo Cienfuegos neighborhood (more popularly known as Habana del Este), carrying flowers to be laid before the bust of Jose Marti there.

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Waiting in Purgatory: A Trip to Nueva Gerona, Cuba

As is often the case with me, reality proved far stranger than fiction. I arrived at the bus terminal at 6:30 in the morning and was shocked to see over a hundred persons ahead of me in line to get to Batabano on the southern coast and board the ferry to the Isle of Youth.

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Cuba’s Wild Tales

In 2014, the Argentinean film Wild Tales won several awards at the Havana Film Festival. The movie is an oddly entertaining experience for spectators, who see the strings of violence move characters and are left with only two alternatives: to burst out laughing or feel aversion towards these.

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