Author: Lynn Cruz

I have always heard that substitution is a characteristic of underdevelopment. I am more aware of this condition right here in Cuba than I normally am.

After 13 days of a sustained campaign on social networks and the independent press, Cuban performance artist Luis Manuel Otero was released.

It was May 1, 2017 when a Cuban, Daniel Llorente, emerged from out of the large crowd in Havana’s Revolution Square, waving a US flag.

It catches my attention that, one of the goals of the film is to show the anti-imperialism of children, the topic of greatest interest of its director.

Gagging this group of artists, in a country that is visibly old, is like cutting the shoots off a tree, which will end up half-rotten or dead.

Those agents intimidating Javier, in the calmest way, stuck in my head for hours. It’s clear that they have been given this power.

The recorded interrogation of an artist reveals the thinking of the Cuban government authorities regarding “illegal” art and artists.

A new attack against the popular TV show Vivir del Cuento sees the disappearance of the character Facundo Correcto, played by actor Andy Vazquez.

A crowdfunding campaign on Verkami to bring the movie El Trikit to life is about to close. Read what its about.

Ironically, some people in Cuba still believe that you can make a living as an actor, although reality proves the exact opposite.