Culture

Havana Cultural Calendar for June 2011

Here is the cultural calendar for June 2011 put out by the Cuba Absolutely website. It includes happenings in music, dance, and theater and the visual arts, etc. in the Cuban capital. We also include the postings by the Cuban website Kewelta Habana.

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A Visit to the Havana City Museum

Two of the country’s most important historic events took part in the building: the ceremony marking the end of Spanish domination and beginning of US military intervention, and where the Republic was set up and its first president (Tomas Estrada Palma) took office. (34 photos)

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The Making of “Miss Pop”

Michel combined his own figure – the protagonist of all the pieces – with elements of pop iconography and famous artists from Marilyn Monroe to Andy Warhol, not to mention his idol Madonna.

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Witch Hunting Revisited in Cuba

An example of this is the unfortunate occurrence experienced by one of our most prominent figures in the visual arts: the painter, national arts award-winner and teacher Pedro Pablo Oliva.

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A New Place for Cuban Jazz

In addition to rallying the country’s composers, the Asociación Cubana de Derecho de Autor Musical (ACDAM) is offering its space to promote musical forms that don’t enjoy wide acceptance – as is the case for trova, canto lirico (lyrical song) and jazz. (12 photos)

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Cuba’s Female Sexto Sentido Quartet

The Cuban female vocal group Sexto Sentido came together in 1997. The quartet has a strong jazz and rhythm and blues sound with a Brazilian influence as well as from its Cuban roots. We interviewed Yudelkis La Fuente, the director and lead singer.

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Spanish Films & Photo Exhibit in Havana

A showing of films from Spain in the new millennium opened Thursday at the Charles Chaplin Cinema in Havana. Accompanying the festival is a photo exhibition on Spanish actors and actresses by the Mexican photographer Cesar Saldivar. The festival continues through May 31.

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Cuban Singer William Vivanco

His lyrics are sharp and fearless. Vivanco is clearly not detached from his reality; instead he uses it, as he says in one refrain, like “a bell at the tip of the whip.”

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