Irina Pino’s Diary

It is both humorous and sad to see that many young Cuban university students have trouble taking in or developing an interest in culture. Their minds are elsewhere, they seem fed up with the world and they do not seem to care about history, literature, cinema or music.

It’s nice to be invited to dine out, not to have to cook something at home and skirt all of the stress that this cursed task involves. That’s why I was happy to receive an invitation to eat out at a restaurant from some friends who had recently arrived from abroad.

After spending eleven days at the hospital, my father’s body is now locked up in a box, inside a horrible coffin. It’s strange and hard to accept, but real. Perhaps death is but another moment in existence. I believe in this possibility, I cling to it.

Years ago, someone broke into my home in Vedado. I’ll give you a short version of the story. It was the early morning and the entire family was sleeping. I recall it was a very hot summer and that we used to sleep with the windows open – the mistake we would later regret.

La cosa humana (“The Human Thing”), a film by Gerardo Chijona, has just been released in Havana’s theaters. This comedy seeks to pay tribute to such mafia films as Coppola’s The Godfather and the US television series The Sopranos, where violence is the best means people find to solve conflicts.

In 2014, the Argentinean film Wild Tales won several awards at the Havana Film Festival. The movie is an oddly entertaining experience for spectators, who see the strings of violence move characters and are left with only two alternatives: to burst out laughing or feel aversion towards these.

The Austrian film Michael, telling the story of a pedophile, was recently aired on Cuba’s La septima puerta (“The Seventh Door”). I must say I had no interest in watching this film. The issue is repulsive and hard to swallow, but the critic’s introduction persuaded me to see the film.

People tend to lie to their partners in matters of sex. Nothing is what it seems. I see marriages based on lies that nonetheless project an image of false happiness to others. Ups and downs are the norm and routine tends to be stronger than love, so feelings change despite appearances.

Written and directed by Jorge Luis Sanchez, the story is set during the Spanish-Cuban-American war and the US occupation of Cuba that followed. The events are recreated through the eyes of two children.

People speak of underground factories of every kind, which produce phony products that are ruining the reputation of genuine goods and helping stores steal from customers mercilessly.