A few weeks ago I participated in one of the most impression-making meetings in all of my short life. It took place in the school where I’m currently a teacher, where those present consisted of the teaching staff as well as most of the administration.
The first class that I had with my students was focused on me getting to know them and visa versa. I was interested in learning about why they were attending that particular school, and I was especially curious about their plans for the future.
A few years ago, discussion began on radio and television sports programs about the desirability of making the All-stars Game picks in Cuba more democratic, as was formerly done on the island.
It’s no longer something merely suspected; our national sport is being sabotaged.
With that candor that characterizes him and that clarity not devoid of poetry, Pedro Luis Ferrer expresses that relationship that many millions of Cubans have suffered. Especially, those of us who became adults as the revolutionary process had begun its decline.
“Students here have no interest in learning,” said the principal of the polytechnic institute where I recently started working as a teacher. “Just take it easy; treat it like a way to survive, because if you try to force yourself it’s useless when you consider the immaturity and apathy of our students.”
When I discovered that the term “revolution” was also applicable to other fields outside of politics, such as machinery, I was about nine years old. Prior to that, I’d been indoctrinated by my parents to learn to see the world through notions such as dialectical materialism, atheism and “revolutionary principles.”
I’ve always heard that the island of Cuba is shaped like a crocodile. Alligators too have that long, narrow body, but they eat and sleep a lot.
They say that Cuba is the best place in the world to live. I’m sure, though, that this affirmation is merely a rumor spread by those in power.
Noel Nicola (1946 – 2005), was an important Cuban musician and songwriter who — along with Pablo Milanes and Silvio Rodriguez — was one of the three main founders of the Nueva Trova Movement, which he directed between 1972 and 1977.