Helson Hernandez

Cuba’s Ballet in a Book

Currently Cuban ballerinas are like their Russian counterparts of the 1970s and ‘80s, and for very similar reasons. They have that type of strong but subtle influence; they can be found all over the world, and they’re always in first ranks.

Interview with Cuban actress Ana de Armas

Well, when I was in Cuba and I made the decision to leave for Spain to look for work, I was in my fourth year of acting school. When I left I was only a few months short of graduating, but I knew that immediately after finishing I wouldn’t be allowed to leave Cuba for a few years [to perform National Social Service work required of all graduates]. So, I had to weigh the value of having a degree in my hands or leaving at that moment in search of my future; I always pay attention to my intuition – so I left.

Interview with Cuban Artist Maykel Herrera

HT interviews Maykel Herrera, a visual artist whose work has already attained a privileged position among Cuban contemporary artists for its impact in exhibits and the interest shown by the public. “I consider myself a very observant individual, a person who nurtures themselves from all experiences. I take advantage of every day to the maximum,” says Maykel.

Cuba Flamenco Artist Reinier Mariño

HT interviews Reinier Mariño, a recognized flamenco guitarist from Cuba who left the island several years ago to pursue a fruitful international career. “I love to play; it’s perhaps what I love most in life. I would dare to say, with all sincerely, that I like playing the guitar more than making love,” says the musician.

Cuba’s Mariem Valdes: “My Soul on Stage”

This year has been very fruitful for my career as a soloist in the company. In March I realized my premiere as Nikiya in “The Bayadere,” a beautiful ballet which had the great challenge of not having been staged in Cuba for more than six years and only the Prodanza company was doing it.