Culture

Jazz Plaza Underway in Havana and Santiago de Cuba

Jazz Plaza 2018 kicked off Tuesday in Havana and some fifty artists from various nations are attending the festival. The 33rd edition of the event began with a concert by Bobby Carcasses, along with his new orchestra Afroswing, at the Sala Avellaneda of the National Theater of Cuba.

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Invitation: Three New Art Expositions in Old Havana

On January 9th in the city’s same historic center, three personal exhibitions by Cuban artists opened all at the same time, at the Provincial Center of Visual Arts and Design, better known as the “Luz y Oficios” gallery. The exhibitions can be seen until February 2nd. (18 photos)

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December 31st Doesn’t Mean Anything Anymore

This isn’t anything new. Every Cuban, both here and there, know this. When the end of the year comes around, most Cubans want to eat pork (preferably roasted), cassava with garlic sauce, mashed chatino or plantain, black beans, a lettuce and tomato salad, and if your budget allows for it, have one or two beers or a few glasses of rum.

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Making Political Theater in Cuba

After my furious state in front of the police and State security forces, when they tried to prevent my play “Enemies of the People” from making its debut (I say “tried” because, in spite of the pain it caused to have to bid farewell to all my guests, the play was performed for the only two people who had managed to enter), everyone is advising me to calm down…

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Adopting Foreign Influences and Not Fighting Them

“El Ciervo Blanco” is an alternative space where its audience can enjoy music they can’t find on Cuban TV. With a newsletter on Facebook and a book club that used to run on the roof terrace of a private home in Old Havana for five months, it sets out to research and spread awareness about old and new paganisms and anything that is magical, mythological and religious.

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Cuba’s Special Period as a Pedal-Driven Space Odyssey

Conversation over New Year’s dinners in Havana will surely include Ernesto Daranas Serrano’s lastest movie Sergio y Serguei. Set at the end of the Soviet Union and the start of the Special Period, this melodrama pokes fun at dogmatism and corruption while celebrating transnational person-to-person ties and grassroots initiative.

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The Power of Art and the Fear of Leaders

Everything seems to return to “normal” after the repression suffered by several artists on the afternoon of Wednesday, December 20th in the Cuban capital. They were going to enjoy a play in the independent house-gallery El Circulo and suddenly they were victims of a performance by a government that prevents free expression at all costs.

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